Anthony Beevor’s Ardennes 1944: The Battle of the Bulge, with Some Personal and Literary Reflections

Earlier I wrote that World War II began for me on December 4, 1941, the day before my 9th birthday, when my mother’s younger brother, who lived with us and shared a bedroom with me, was inducted into the army. Three days later, the Japanese attacked Pearl Harbor. These two events awakened in me an unquenchable yearning to understand humanity’s greatest folly. The history of World War II became a reading obsession and the most recent book is Anthony Beevor’s Ardennes 1944: The Battle of the Bulge (2015). I had read his Stalingrad, an exhaustive, illuminating and brilliant history of a bloody and pivotal conflict, the first major setback for the Third Reich. Ardennes 1944 is equally praise-worthy. Two, albeit remote, personal connections and an awareness that three prominent American writers were combatants in the Battle also drew me to Beevor’s latest book.

The German Ardennes offensive surprised our military commanders. The war in Europe, they felt, was virtually over; victory was weeks away. Paris had been liberated and Allied forces were at the Rhine River.

Adolph Hitler, feeling invincible after surviving a botched assassination attempt, was convinced that the alliance of the United States, Britain, Canada and France was fragile and would likely fracture if seriously challenged. To that end, a major force of two Panzer armies, brought to full capacity with older men, younger boys and with units moved from the Russian front, launched a surprise attack through the Ardennes Forest on December 15, 1944. Though the counter-offensive began immediately, within two weeks German tanks and troops had advanced 90 kilometers through the middle of Allied forces, trapping several units.

The 101st Airborne Division, commanded by General Anthony McAuliffe was encircled at Bastogne, Belgium. Though weakened by recent bitter fighting in Holland, it was moved there on December 18th. Four days later a German truce delegation approached General McAuliffe’s Headquarters with an ultimatum: to surrender or face annihilation. The General’s one-word response was “nuts.” Airdrops of critical supplies enabled the Division to maintain its defense until General George Patton’s tanks broke through the enemy lines on December 29th. The next day Patton himself entered Bastogne wearing his trademark pearl-handle pistols.

Soon after the German attack began, my father received a notice to report for an army physical. He was 33, married with three children. He passed the examination and was ordered to report for training on February 1, 1945. I still recall the overwhelming gloom; the worry—how would we manage?—and the fear—mother and I were aware of the enormous casualties, many from the unrelenting frigid weather. Troop replacements were hastily trained younger boys or, like my father, older men.

Near the end of January and after suffering 80,000 casualties, what remained of the two Panzer armies had been pushed back to the German border. The Russian winter campaign had begun and my father’s army induction was canceled. In less then 4 months, Allied armies entered Berlin, Hitler killed himself and Germany surrendered unconditionally on May 8, 1945.

Ten years later, I am a 22-year-old recently commissioned Second Lieutenant in the Military Police Corps at my first duty station, Ford Hood, in Killeen, Texas. General Anthony McAuliffe is the port commander. Late on Sunday afternoon the M.P. at the Fort’s main gate stopped an erratically driven car from exiting the Fort. A few minutes of conversation convinced the M.P. that the driver, a Captain, was drunk. He then called me—I was the duty officer that day—and said I needed to come and resolve the matter since an officer was involved. Amid the storm of abuse that greeted me, he insisted that he had to return that day to Fort Sam Houston in San Antonio. Much too risky, I concluded. So we locked the car, left the keys at the main gate, and I arranged for the Captain to spend the night in the Bachelor Office Quarters. His final threat was that I would regret my decision and should expect to be before the post commander in the morning.

Sure enough, waiting at Company Headquarters on Monday morning was an order for me to report immediately to General McAuliffe. The meeting was military formal. The General asked what had occurred Sunday afternoon with the Captain. I explained the Captain’s incapacity to drive safely, his behavior with the gate M.P. and with me, and the action I felt it essential to take. He listened without interruption and acknowledged that what I had done was proper. He apologized for the Captain’s attitude and explained that he obviously had too much to drink at a reunion celebration for men who had been trapped at Bastogne 10 years earlier. He thanked and dismissed me.

Not attending any reunion were the three prominent American writers who fought in the Battle of the Bulge: Ernest Hemingway, J. D. Salinger and Kurt Vonnegut.

Ernest Hemingway was a war correspondent, but journalism wasn’t a high priority. He demonstrated his fearlessness under fire many times.

J.D. Salinger, with the 12th Infantry Regiment, wrote short stories throughout the Battle whenever he could find an unoccupied foxhole. He was fortunate enough to receive a fresh pair of knitted woolen socks each week from his mother.

Kurt Vonnegut, the least fortunate of the three, was in the 423 Infantry Regiment. His fellow soldiers he described as a mixture of college kids and others who had likely enlisted to avoid jail. His regiment, encircled by German artillery, chose surrender rather than annihilation. Some 8,000 men were taken captive. It was the second largest of the War after the Bataan Death March in 1942. In his novel Slaughterhouse-Five, Vonnegut writes about the horrors of war. He survived the firebombing of Dresden where he was held prisoner.

So there you have it: a good book, a bit of history, some literary trivia and a touch of the boy and the young lieutenant I once was. For the last I ask your indulgence. At 83, I seem to spend more time remembering than I do dreaming. My sincere desire remains, however, not only to share what I’ve learned but also to use what I know to help me learn what I don’t know. One is never too old for that.

-Joe DeSalvo, owner, Faulkner House Books

 

 

Anthony Beevor Ardennes book

Come Celebrate Roy Blount, Jr. March 13

Join Roy Blount, Jr. and the Pirate’s Alley Faulkner Society on Sunday, March 13 to celebrate Roy’s new book, Save Room for Pie. The event is free and open to the public. There will be free pie for all, so save room for it.

The celebration will take place from 2:30-4:30 p.m. at Faulkner House, 624 Pirate’s Alley in New Orleans. To reserve a copy of Roy’s book, call Faulkner House Books at (504) 524-2940.

Please RSVP at faulkhouse@aol.com, so we have plenty of pie to go around.

To learn more about the author, go to Roy’s page on the Pirate’s Alley Faulkner Society website. You can also watch  Roy’s YouTube video to hear his advice on how to eat in the South.

About Save Room for Pie:

One of America’s most cherished comic writers, Roy has been compared to Mark Twain and James Thurber, and his books have been called everything from “a work of art” (Robert W. Creamer, The New York Times Book Review) to “a book to read till it falls apart” (Newsweek). Now, in Save Room for Pie, he applies his much-praised wit and charm to a rich and fundamental topic: food.

As a lifelong eater, Blount always got along easy with food―he didn’t have to think, he just ate. But food doesn’t exist in a vacuum; there’s the global climate and the global economy to consider, not to mention Blount’s chronic sinusitis, which constricts his sense of smell, and consequently his taste buds. So while he’s always frowned on eating with an ulterior motive, times have changed. Save Room for Pie grapples with these and other food-related questions in Blount’s signature style. Here you’ll find lively meditations on everything from bacon froth to grapefruit, Kobe beef to biscuits. You’ll also find defenses of gizzards, mullet, okra, cane syrup, watermelon, and boiled peanuts; an imagined dialogue between Adam and Eve in the Garden of Eden; input from Louis Armstrong, Frederick Douglass, and Blaze Starr; and of course some shampooed possums and carjacking turkeys.

In poems and songs, limericks and fake (or sometimes true) news stories, Blount talks about food in surprising and innovative ways, with all the wit and verve that prompted Garrison Keillor, in The Paris Review, to say: “Blount is the best. He can be literate, uncouth, and soulful all in one sentence.”

 

— Hayley Lynch, Editorial Associate, Faulkner Society

 

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Vote for Pirate’s Alley Faulkner Society

The Gulf Coast Bank & Trust Company is running an online competition for charitable nonprofits. The nonprofits that get the most votes will share $50,000. The Pirate’s Alley Faulkner Society is among those nonprofits competing. Help us continue our literacy programs for at-risk youngsters by voting for the Pirate’s Alley Faulkner Society daily through March 15. Any funds received from this competition will be earmarked for this purpose.

Vote HERE!

It’s a simple process. If you have not previously voted, you need only fill in your email and click for an access number the first time. Thereafter, you will use the same access code daily.

Bookmark the page and vote daily! We will be grateful for your help.

–Rosemary James, Co-Founder, Faulkner Society

Mardi Gras: “It’s About Being Happy, Baby!”

FHB Mardi Gras

It’s carnival time in the Crescent City. I’m sitting inside Faulkner House behind St. Louis Cathedral listening to musicians’ brass horns and drumbeats blowing up the alley from Jackson Square.

Two women entered with plastic beads jangling around their necks. One of them asked me for books about Mardi Gras. As I directed them to our New Orleans history section and reached for one of my favorites, Lyle Saxon’s Gumbo Ya-Ya (70th Anniversary Edition, River Road Press), a bearded man flashed by our glass doors playing his arms like a trombone. He flashed by again, marching high-knees, pumping an arm up and down with the jazz beat and tooting a loose fist at his mouth.

I opened the door and told him these customers wanted to know about Mardi Gras. He kicked ahead but set his solo parade at a slight diagonal and yelled back to us: “It’s about being happy, baby!”

We wish y’all a happy Mardi Gras!

-Alex B. Johnson, Faulkner House Books

MLK Day & the Most Important Book of 2015

Ta-Nehisi Coates, Between the World and Me (Spiegel & Grau, 2015), $24

James Baldwin, Collected Essays (edited by Toni Morrison, Library of America, 1998), $35

Coates

The King family lost a husband and father with the assassination of Dr. Martin Luther King, Jr. His body was stolen, but he lives on in his writings and teachings. We honor his life and pursuit of justice today.

A half-century after the Civil Rights Movement, Ta-Nehisi Coates wrote a letter to his teenage son explaining the state of race relations in America. The letter was published as Between the World and Me and won the National Book Award for Nonfiction. As Toni Morrison says on the dust jacket, it is “required reading.” It is the most important book of year.

Coates references James Baldwin only twice in the book, but his format resembles The Fire Next Time (1963)—a letter to Baldwin’s nephew—and many insights are Baldwin-inspired, updated for the 21st century context of dash cams, private prisons, and the “new Jim Crow” (see Michelle Alexander’s The New Jim Crow: Mass Incarceration in the Age of Colorblindedness, 2010).

Coates believes that a race-based society grows from historical power imbalances rooted in fear and control of the body. With clarity of language and brutal honesty, Coates shares personal stories to show how living in black skin renders life in America to be a struggle against disembodiment. He concludes a story about his father’s anger: “This was a war for the possession of his body and that would be the war of his whole life.”

Coates reads and writes in search of meaning and understanding. He discusses many authors and poets such that, in a sense, Between the World and Me is a literary treatise on race relations in American culture. Coates discusses the “narrative” of America that perpetuates our looking away. He calls this narrative “the Dream,” the idea that success in America derives from hard work instead of traditional power imbalances. Coates loved The Dukes of Hazzard growing up and offers the TV show as an example of how pop culture helps us look away from injustice and believe in “the Dream.”

“Historians conjured the Dream. Hollywood fortified the Dream. The Dream was gilded by novels and adventure stories.”

Pat Conroy seems to acknowledge Coates’s point by calling Margaret Mitchell’s Gone With the Wind (1936) a “singular, canonical moment in Southern mythmaking” (see Conroy, My Reading Life, 2010). For Baldwin, a belief in the myth of human inequality “protects moral high-mindedness at the terrible expense of weakening our grasp of reality.” In 1955, Baldwin wrote in Notes of a Native Son (1955) about history’s influence on the present:

“Most people are not naturally reflective any more than they are naturally malicious, and the white man prefers to keep the black man at a certain human remove because it is easier for him thus to preserve his simplicity and avoid being called to account for crimes committed by his forefathers, or his neighbors…. Every legend, moreover, contains its residuum of truth, and the root function of language is to control the universe by describing it.”

Like Baldwin, Coates blames our lingering history—not individuals—for racial injustices today. “This is the import of the history all around us, though very few people like to think about it.” Coates explains to his son:

“The mettle that it takes to look away from the horror of our prison system, from the police forces transformed into armies, from the long war against the black body, is not forged overnight…. To acknowledge these horrors means turning away from the brightly rendered version of your country as it has always declared itself and turning toward something murkier and unknown. It is still too difficult for most Americans to do this. But that is your work. It must be, if only to preserve the sanctity of your mind.”

In Between the World and Me, Ta-Nehisi Coates teaches his son about history, language, inequality, and opportunity. He reminds American readers that we can no longer look away.

“It was the cotton that passed through our chained hands that inaugurated this age. It is the flight from us that sent them sprawling into the subdivided woods.”

Let’s not forget our collective history as Americans. Let’s remember the good and the bad of how we arrived here. Let’s remember that Dr. King wrote to white clergymen in Birmingham from a narrow jail cell about the “interrelatedness of all communities and states,” proclaiming “[i]njustice anywhere is a threat to justice everywhere” (see King, Why We Can’t Wait, 1964). Today, let’s thank Coates for the reminder. Tomorrow, let’s not dare look away.

-Alex B. Johnson, Faulkner House Books

A Customer

Some years ago, just before closing, an attractive young woman came into the store and asked if she might browse for a while. She was casually dressed: frayed cut off jeans, a tee shirt, and thong sandals. I didn’t recall her being in the store before, so I explained how the books were organized and moved to the hallway. The shop is small and I did not want her to feel watched. Within a few minutes she selected a book and paid with cash. We exchanged customary pleasantries. She left, I locked up.

The next day, she returned with the actor Nicolas Cage, who had been in the store several times. Almost immediately, the two of them gathered a dozen or so recordings of famous writers reading their work. I mentioned to Cage before they left that his companion was here yesterday. “I know,” he replied, “she insisted on returning; she loves your bookstore. Let me introduce you to Patricia Arquette.”

-Joe DeSalvo, owner, Faulkner House Books

Louisiana Live Oak Trees

Two remarkable poems celebrate Louisiana’s moss-laden live oak trees. The first, “I Saw in Louisiana a Live Oak Growing,” Walt Whitman wrote. He and his younger brother, Jeff, came to New Orleans in February 1848 to work for a newspaper, the New Orleans Crescent, as a journalist and Jeff as a copy boy. They left before the end of the year because of their opposition to slavery.

The other poem, “Bearded Oaks,” Robert Penn Warren composed a century later. He too lived in Louisiana and taught for many years at Louisiana State University. Warren is the only writer to win the Pulitzer Prize for both poetry–Promises, in 1957–and for his classic novel–All The King’s Men, in 1946.

-Joe DeSalvo, owner, Faulkner House Books

 

I Saw in Louisiana a Live-Oak Growing
By Walt Whitman

I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from
       the branches,
Without any companion it grew there uttering
       joyous leaves of dark green,
And its look, rude, unbending, lusty, made me
       think of myself,
But I wonder’d how it could utter joyous leaves
       standing alone there without its friend near,
       for I knew I could not,
And I broke off a twig with a certain number of
       leaves upon it, and twined around it a little
       moss,
And brought it away, and I have placed it in sight
       in my room,
It is not needed to remind me as of my own dear
       friends,
(For I believe lately I think of little else than of
       them,)
Yet it remains to me a curious token, it makes me
       think of manly love;
For all that, and though the live-oak glistens
       there in Louisiana solitary in a wide flat
       space,
Uttering joyous leaves all its life without a friend
       a lover near,
I know very well I could not.

 

Bearded Oaks
By Robert Penn Warren
The oaks, how subtle and marine!
Bearded, and all the layered light
Above them swims; and thus the scene,
Recessed, awaits the positive night.

So, waiting, we in the grass now lie
Beneath the languorous tread of light;
The grassed, kelp-like, satisfy
The nameless motions of the air.

Upon the floor of light, and time,
Unmurmuring, of polyp made,
We rest; we are, as light withdraws,
Twin atolls on a shelf of shade.

Ages to our construction went,
Dim architecture, hour by hour;
And violence, forgot now, lent
The present stillness all its power.

The storm of noon above us rolled,
Of light the fury, furious gold,
The long drag troubling us, the depth:
Unrocked is dark, unrippling, still.

Passion and slaughter, ruth, decay
Descended, whispered grain by grain,
Silted down swaying streams, to lay
Foundation for our voicelessness.

All our debate is voiceless here,
As all our rage is rage of stone;
If hopeless hope, fearless is fear,
And history is thus undone.

(Our feet once wrought the hollow street
With echo when the lamps were dead
All windows; once our headlight glare
Disturbed the doe that, leaping fled.)

The caged hearts make iron stroke,
I do not love you now the less,
Or less that all that light once gave
The graduate dark should now revoke

So little time we live in Time,
And we learn all so painfully,
That we may spare this hour’s term
To practice for Eternity.

The Funniest Book of 2015: The World’s Largest Man by Harrison Scott Key

This Thanksgiving, I gave thanks for a growing family, good friends, and The World’s Largest Man: A Memoir (HarperCollins, 2015) by Harrison Scott Key.

The World’s Largest Man is the funniest book I’ve ever read. Also, it’s the only book that I’ve read almost entirely aloud, my wife and I only pausing to let uncontrollable laughter subside before reading the passage over again.
HSK World's Largest Man

Harrison Scott Key, The World’s Largest Man: A Memoir. HarperCollins, 2015. Signed, $26.99.

Key’s humor and creative nonfiction has appeared in The Best American Travel Writing, Image, McSweeney’s, The New York Times, Outside, Reader’s Digest, and Salon. He is an editor at Oxford American where he writes a column entitled, “Big Chief Tablet”—a reference to Ignatius J. Reilly’s notes in A Confederacy of Dunces.

This first book pulls up a chair for Key at the table of Southern humor, a supper club still led by the prolific author and speaker, Roy Blount, Jr. The World’s Largest Man is a book-length love letter to his complicated and imposing, yet caring, father. It’s a collection of personal stories from childhood in rural Mississippi to adulthood in Savannah, all sewn together with threads of evolving relationships between Key and his parents and, in the later chapters, Key’s wife and daughters. However, there is nothing that I can say to enhance Key’s voice, so below is a sampling of what he brings to the table.

Key joined us in October for the 2015 Words & Music conference and signed a case of his books. Come buy one, and laugh as you read it aloud to your family over the holidays.

The first chapter begins with a context for storytelling:

They say the South is full of storytellers, but I am unconvinced. It seems more accurate to say that it is full of people who are very, very tired. At least this was my childhood experience is Mississippi, where there was very little to do but shoot things or get them pregnant. After a full day of killing and fornicating, it was only natural that everyone grew weary. So we sat around. Some would sit and nap, others would sit and drink. Frequently, there was drinking and then napping. The pious would read their Bibles, while their children would find a shady spot to know one another biblically, or perhaps give birth to a child from a previous knowing. Eventually, though, all the sitting led to talking, which supposedly led to all the stories, or at least the beginnings of stories.

In my family, we were unable to finish any. Until now.

His answer to the question, “What’s Mississippi really like?”

I can tell what they really want to ask is, What was it like to grow up around crazy people who believe that whatever can’t be shot should be baptized? But they are afraid to ask, because they are not yet sure if I am one of those people.

I am.

Kind of.

Not really.

Sometimes.

I do believe in the power of Jesus and rifles, but to keep things interesting, I also believe in the power of NPR and the scientific method. It is not easy explaining all this to educated people at cocktail parties, so instead I tell them that it was basically just like Faulkner described it, meaning that my state is too impoverished to afford punctuation, that I have seen children go without a comma for years, that I’ve seen some families save their whole lives for a semicolon.

While deer hunting with his brother, Bird:

I did what my brother said and climbed down, because while he may have lacked the ability to conjugate verbs, he would’ve known how to kill those verbs if they had been running through the forest. He was sixteen now, and he’d already killed his first, and his second, and third. Actually there was no telling how many he he’d killed. He obeyed so few hunting laws, largely as a result of his believing that he had Native American blood, which he believed absolved him from all state and federal hunting and drug statutes.

“Cherokee didn’t need no fucking hunting license,” he’d say.

What was the Trail of Tears like, I wanted to ask. Had that been hard, watching all his people die of the measles? But also, I wanted to believe. It was a story our grandmother had told us about being descended from a Cherokee chieftain, a version of the same fairy tale told to most poor whites and blacks across the South, a way of making us feel better about genocide and gambling. I’d heard that such blood could earn me a college scholarship, which I believed was my passage out of this alien land, while Bird used this story to explain his preternatural desire to learn things about animals by smelling their feces.”

As for hunting, Key prefers the grocery store:

Borden’s was our ice cream, and it came in a bucket the size of an above ground pool. How could hunting deer ever compare to hunting vanilla ice cream, which is generally docile and will let you pour syrup on it without running away?

His father’s beliefs:

My father believed a lot of crazy things: that men with earrings were queer, that the pope got to pick the Notre Dame football coach, that we couldn’t possibly have made all those expensive calls on the telephone bill. He would sit in his recliner and review the bill like some Old Testament scholar with a gift for high blood pressure….

Pop especially hated the Boy Scouts….

His only real belief about urban design was that houses should be far enough apart to let a man stand in his own front yard and relieve himself in relative privacy….

In my father’s house, having indoor pets was always a sign of moral decay, assumed to be clear evidence of mental illness and possibly drug addiction. If you wanted to get an animal into his house, you had to tell my father that you intended to eat it.

About learning to be a husband and a father:

If there is anything I learned out in the country, it was that the things that can kill you make you alive, and that you are never more alive than when you are getting beaten by your father because your mother thought you were dead.

And while to the casual observer I may not have turned out much like my father, I came to see in the first years of my marriage that I have proudly carried on this tradition of scoffing at women who are concerned for my safety, as I did with the woman I would marry….

Once we were married, she became even more like my mother, which I made sure not to tell her….

What I didn’t say was, I had very important reasons for throwing my child into the ceiling fan, and those reasons were that I wanted to see what would happen. This was my responsibility, as a man, to endanger the people I love in the service of knowledge that seems important at the time.

She asked me to stop it and all sorts of other silly things, such as to not let the baby stand on the counter and to keep the fireworks away from their faces and to lock the doors.

Lock the doors! Ridiculous!

-Alex B. Johnson, Faulkner House Books

Glowing with Memory and Meaning: Helen MacDonald’s H Is for Hawk

h is for hawk

Helen MacDonald. H is for Hawk. Grove Press, 2014. 26.00.

All summer long a family of Mississippi Kites nested in a centuries-old Live Oak tree sprawling over shotgun houses across the corner of Octavia and Chestnut Streets. I noticed these sleek, soot-colored raptors soaring above me in the windy sky on Mother’s Day—never beating a wing—only slightly tilting their tails for direction. According to an Audubon Society field guide, adult Kites weigh about ten ounces spread across a three-foot wingspan. These silent hunters feed mostly on cicadas and flying insects, but also eat small rodents and birds.

Walking the dog this summer was much more interesting than usual because I was reading Helen MacDonald’s H Is for Hawk (Grove Press, 2014), a tripartite story about the author’s love for her recently deceased father, for birds and nature, and for literature. MacDonald is a poet, historian, naturalist, and falconer. H Is for Hawk—a New York Times bestseller and winner of the UK’s Samuel Johnson Prize and Costa Book of the Year—displays her varied talents because it is not a simply a “birder” book. Rather, its many layers are inspirational for anyone familiar with grief and loss, or anyone ready for a change in life.

MacDonald is struggling to say goodbye to her father, a photographer, who taught her to find the memorable aspects of life’s otherwise mundane moments, and to savor them.

Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again.

MacDonald describes the prehistoric reality that birds of prey are beautiful killers. She meets nature—in all its wildness—with her own emotions, blending the acts of training a Goshawk with the process of exorcising grief and depression:

They were things of death and difficulty: spooky, pale-eyed psychopaths that lived and killed in woodland thickets. Falcons were the raptors I loved: sharp-winged, bullet-heavy birds with dark eyes and an extraordinary ease in the air. I rejoiced in their aerial verve, their friendliness, their breathtaking stoops from a thousand feet, wind tearing through their wings with the sound of ripping canvas.

MacDonald considers her Goshawk killing to eat while illuminating her acceptance of death:

How hearts do stop. A rabbit prostrate in a pile of leaves, clutched in eight gripping talons, the hawk mantling her wings over it, tail spread, eyes burning, nape-feathers raised in a tense and feral crouch…. The borders between life and death are somewhere in the taking of their meal…. Hunting makes you animal, but the death of an animal makes you human.

Throughout the book, she parallels T.H. White’s The Goshawk—and often his Arthurian novels, adapted into Disney’s The Sword in the Stone—as a modern balance to her experience training a Goshawk. White’s abusive youth and life as a closeted gay man led him to write about desolation, hunting, and the desire for freedom. To contextualize her modern falconry stories, MacDonald offers a cultural history of falconry to show these raptors’ permanence in our world. Hawks “conjure history,” for example:

For thousands of years hawks like her have been caught and trapped and brought into people’s houses. But unlike other animals that have lived in such close proximity to man, they have never been domesticated. It’s made them a powerful symbol of wildness in myriad cultures, and a symbol, too, of things that need to be tamed…. The birds we fly today are identical to those of five thousand years ago. Civilizations rise and fall, but the hawks stay the same…. History collapses when you hold a hawk…

Her story motivated me to keep watching my Mississippi Kite neighbors soaring overhead. I would follow the Kites around the block, watching them float, turn, and dive each morning and evening until mid-September when they migrated from the neighborhood for warmer weather. MacDonald explains how learning about our environment helps us learn about ourselves:

What happened over the years of my expeditions as a child was a slow transformation of my landscape over time into what naturalists call a local patch, glowing with memory and meaning.

Since finishing H Is for Hawk, I have noticed more amazing birds in my New Orleans “local patch”: Bald Eagles, Osprey, Cooper’s Hawks, Quaker Parrots, Red-Bellied Woodpeckers, Painted Buntings, and more. The often-mundane task of walking the dog now glows with memory and meaning. I have Helen MacDonald to thank for that, and I cannot forget H Is for Hawk—I can only recommend it.

– Alex B. Johnson, Faulkner House Books